he has at last 3 axes ETA ok on closer inspection, at least 4, i didn’t notice he has 3 axes in the second pic and none are the labrys he’s holding in the first pic. Gimli that’s too many axes.
Headcanon that if one of Gimli’s axes gets destroyed the just pulls another out of nowhere
Derwent Edge is a millstone grit escarpment that lies above the Upper Derwent Valley in the Peak District of Derbyshire. It extends into South Yorkshire, where they have not built a wall to keep it out. It is popular with walkers- have a look at Mark Richards’ “HighPeak Walks” for advice and adventure.
kinnie tumblr is wack y’all will say shit like “I AM 100% THIS CHARACTERS COMPLETELY THEY ARE ME” and nothing abt ur personality will even resemble them like you think goku would say that? you think goku would have a 1000 page about with a billion links and say he will block u if you dont like all his personal posts? you think goku would get into ace discourse?
Beadnet dress Egyptian Old Kingdom, Dynasty 4, reign of Khufu 2551–2528 B.C.Findspot: Egypt, Giza, Tomb G 7440 Z
Depictions of women in Egyptian art occasionally feature garments decorated with an overall lozenge pattern. This design is believed to represent beadwork, which was either sewn onto a linen dress or worked into a separate net worn over the linen. This beadnet dress is the earliest surviving example of such a garment. It has been painstakingly reassembled from approximately seven thousand beads found in an undisturbed burial of a female contemporary of King Khufu. Although their string had disintegrated, a few beads still lay in their original pattern on and around the mummy, permitting an accurate reconstruction. The color of the beads has faded, but the beadnet was originally blue and blue green in imitation of lapis lazuli and turquoise.
Provenance
From Giza, tomb G 7440 Z. 1927: excavated by the Harvard University-Museum of Fine Arts Expedition; 1927: assigned to the MFA by the government of Egypt. (Accession Date: May 27, 1987)
Credit Line
Harvard University—Boston Museum of Fine Arts Expedition
There is a part of me that really wants to make one of these, but then the rest of me screams about the time it would take.
“There aren’t enough good roles for strong women. I wish we had more female writers. Most of the female characters you see in films today are the ‘poor heartbroken girl.’”
Hands up if you’re still mad that Christianity took over most of the world, displacing the ancient local religions and destroying records of them so we’ll never know the details about them
We’ve all seen that Gothel makes Rapunzel come to her for hugs, but today I realized it goes deeper than that. Gothel doesn’t want Rapunzel showing physical affection unless she has been given specific permission. Opening her arms is that unspoken permission.
For example, towards the beginning, when she’s reminding Gothel that it’s her birthday tomorrow, she grabs her arm in exuberance. Gothel is put out and then pries Rapunzel’s hands off her arm, all the while pretending she doesn’t remember (or care) that her birthday – something Rapunzel is extremely excited about – is fast approaching.
She also uses Rapunzel’s need for physical affection, deliberately taunting and “teaching” her with it by pretending to offer it, then taking it away immediately.
The first bazzilionty times I saw this movie, I always assumed Rapunzel was relieved to see Gothel towards the end of Mother Knows Best just because she was scared.
But now I realize it’s not only because she’s scared, but because Gothel is now giving Rapunzel permission to seek the creature comfort of physical contact that she so desperately needs after the gamut of fear she’s run.
Eugene, on the other hand, starts showing physical affection as soon as he starts feeling any affection for Rapunzel at all. He uses it as a comfort. Yet Rapunzel keeps her hands to herself.
It continues when he gives her the little flag, touching the small of her back in an affectionate way. But her hands (and attention) are full at this moment.
In fact, the first time she realizes she’s touching him, and he’s touching her, and there’s affection and enjoyment buzzing between them, she’s the first to pull away.
She’s alarmed at first, then apologetic and sheepish. Sorry I was touching you, Eugene. And he politely takes a step back, tuned in to her discomfort and giving her a little more space.
But that is why the moment on the boat is so important, and why Rapunzel has the reaction she does.
In taking Rapunzel’s hand, out of the blue (as far as she can tell), it’s sending her a clear message that he feels the same about her that she does about him, and that physical affection is both alright and wanted. That he will seek out her attention in a way Gothel never has. And from this moment on, she touches him often, holding hands for the rest of the song, brushing his hair from his face as he lay dying, and never letting go of his head, even after he’d died in her arms. Not to mention kissing him when he lives again, holding hands on the balcony while they wait for her parents and end-of-movie smooching.
this also gives added depth to the hug she and her real parents collapse into at the end of the movie
Goldnwulf 